@n3wjack Either that or #NotBonkWave :)
@n3wjack Either that or #NotBonkWave :)
@ozzelot
How do we know there's not? Existing vinyl could be #Bonkwave? Or #NotBonkwave?
Many thanks to @lorenzosmusic for having me on their podcast! I've never done anything like that before, hopefully I managed to not sound too much like an idiot!
If you want to hear me talking about stuff like the #Faircamp #Webring, #FairTradeMusicFriday, Image2Midi and of course #BonkWave and #NotBonkWave, you can find it hosted by the lovely @mixtape folks here:
https://nham.co.uk/2025/05/lorenzos-music-podcast-fedi-specials-6-keith-marshall/
There's a bit about about Key 13 too...
Oh look! I've made another #BitwigStudio v4.0 preset - this time it's my take on the iconic Drawmer 1973 FET Three-Band Stereo Compressor. Why do this? It's fun and I want to apply this as a mastering compressor and hate plugins which require iLok. Your mileage will likely vary, but I like what it does to my tracks.
You can use it for #BonkWave and #NotBonkWave #MusicProduction
https://www.ambientspace.com/technical-notes/bitwig-notes/as-1973-fet-compressor
@55aw @seggito i miss yoni.
he lives on in the #bonkwave scene as well as the #notbonkwave scene.
https://bonkknobrecords.bandcamp.com/album/not-what-i-call-bonk-wave-volume-001
If you need some great music this #BandCampFriday why not check out Bonk Knob Records' bandcamp page?
It's great #Music plus it's all free
If you're looking for some #BonkWave, or perhaps some #NotBonkWave, why not check out the latest release from Bonk Knob Records:
Not Bonk What I Call Wave: Remixes Vol 2
Available to stream and download for free from all these fine fair places:
https://bonkwave.org/music/not-bonk-what-i-call-wave-remixes-vol2/
https://mirlo.space/bonk-knob-records/release/not-bonk
https://bonkknobrecords.bandcamp.com/album/not-bonk-what-i-call-wave-remixes-vol-2
https://bandwagon.fm/67fea099a706ef72dcec3978
... and if you like any of this, why not check out the artist links for #BandcampFriday !
[Insert It'sHappening.GIF]
The only questions are:
Is it #BonkWave or #NotBonkWave
&
Can I wait until #BandcampFriday to buy it?
https://etherdiver.bandcamp.com/album/the-mechanics-of-mysticism
Today's the day! My new EP "Facets" is officially out in the world
This was a really fun project, and one that taught me a *lot* along the way. I'm not much for genres, but I've settled on #ambientTechno as the closest thing I can think of. Or #bonkwave ? #notBonkwave ? I can't really tell which is more apt, so judge for yourself.
I wrote a stream-of-consciousness-review thingy about the new compilation album ‘Not Bonk What I Call Wave: Remixes Vol 2’ and it’s out now:
https://nham.co.uk/2025/04/not-bonk-what-i-call-wave-remixes-vol-2-2/
# Music #Review #BonkWave #NotBonkWave
If you are a music nerd like me, you may or may not have come across the term ‘Bonk Wave’.
If you also are as curious as I am and actually did come across the term, you may have asked yourself, ‘What the Bonk is Bonk Wave?!’
Here’s an attempt at an answer, from the makers of the bonkwave.org website: ‘If you don’t know what Bonk Wave is, don’t worry, we don’t really know either.’¹
It could be an ‘experimental omni-genre or a style-agnostic genre,’ but quite certainly it is ‘an open and inclusive community, promoting freedom of artistic expression.’
That sounds intriguing, doesn’t it? Right! So, let’s dig deeper. Because, there’s a new compilation called ‘Not Bonk What I Call Wave: Remixes Vol 2’.
First impression: wow, almost all of the artists are Fediverse-adjacent with their own Mastodon account, several have a Faircamp or Bandwagon or Mirlo page.
Next, the entire album can be listened to on the site. No Linktree, no Spotify, no Amazapple, just click play.
Well then, let’s play!
Sweet! Opening with airy, atmospheric chord layers, this quickly grows to a shouldn’t-we-dance track that sucks you in with its glistening synth arpeggios. Very reduced, wide open, with nods to chill-out, drum&bass soundscapes, even some electronica pioneers vibes.
Ah, now I know what they mean when they suggest that Bonk Wave could be an ‘experimental omni-genre’. This one opens with a campfire acoustic guitar, joined by layers of straying, meandering synth bits, like little spiders weaving a collective web. Throwing in a clean, prominent melody and adding a vocal line and several voice snippets, asking but not answering the age-old question, ‘what is bonk wave’, finally dropping a dry, straightforward snare, this track holds enough surprises for twice its length.
Don’t judge a book by its cover! The first few seconds of this could develop into a proper Doo-Wop performance, when Rubia plays with the word ‘Bonkitty’. But no, in comes a completely unhinged, unleashed drum&bass/jungle-ish highspeed beat. Aphex Triplet? Squarepusher’s cousin? With lots of humour, at any rate, certainly when Bonkitty starts meowing. The remix title ‘bonkers catnip’ seems quite apt. In a very good way!
Let an indie band and two or three electronica afficionados take a trip in a time machine back to the late fifties, early sixties and get hired by an independent French Noir film producer to compose a score for a flick that tells a sad love story with a twist — et voilà. Sounds improbable? Well, to this day there are no time machines, I’ll give you that.
Wait a minute, wasn’t there a Socool remix of a C. Circo track just now? Indeed, there was, and boy, is this a fruitful collab, no matter which remixes which! A demure drum&bass beat trickles twinkle-toed through warm, embracing, dreamy yet vibrant synth lines and soundscapes, flowing and ebbing like a long breath. This one almost demands to be put on loop.
Wikipedia tells us that ‘Bouillabaisse (/ˌbuːjəˈbɛs/) is a traditional Provençal fish soup originating in the port city of Marseille.’ Or, minus the fish, a mix soup made of ten different tracks out of the BonkWaveVerse (or hoewever else you might call that realm of musique extraordinaire). Smoothly simmering, very yummy, very tasty!
Something resembling an 80s track (think Joy Division, Cocteau Twins) lingers in the early morning air after a sweaty party. Suddenly, out of the dawning blue, it gets torn apart in a furious rage by digi-tribal drums to churning shreds of vocal and synth lines. The pure, relentless energy is breathtaking.
Broken does not necessarily mean kaput. What’s broken can be repaired. But this track, as broken as it might seem, does not need fixing. Its distorted synths, the otherworldly voices from an old tube radio, the sacral, hymnic organ chords, all together form a five-minute journey into the inner spaces where electrons live. I can see sunrays fingering across the horizon, and if I was a transistor, I might very well feel like being in Heaven!
History not always repeats itself; sometimes it comes back in several bits from various eras to fuse and show up fresh and shiny to the party. In this particular case, it gets revived by synth cords with strong eighties vibes, arpeggios from the aughts, a funky bassline and guitar licks that could even have been relocated from the seventies, beats that have parents in nineties French house, and a lot of vocoder (which is somewhat timeless). Kind of a best-of-all-worlds scenario, and certainly great dancefloor charge!
One very appealing aspect of this compilation (and possibly the Bonk Wave community, too) is the strong sense of collaboration it underlines. Of course, those are all remixes, so, duh! But on top of that, it’s a select group of artists who seem to inspire and nurture one another, almost like a cooperative, which I think is beautiful. Here we have sknob’s track again, remixed by C. Circo who also participated with the album opener ‘Genus’ and did a remix of Socool’s ‘ion’. ‘C’est quoi…’ has all the fine features those other tracks do — taken to yet another energy level by a very prominent, forward-pushing drums/sub-bassline combination.
DeepL, the translation algorithm that works best and also fuels many Mastodon instances’ translations, says that the title of this track means ‘song of the crab’ or ‘The Crab Song’. And the liner notes on bonkwave.org invite us to ‘feel the bonk vibe coming from a dark and smoky underground venue somewhere downtown Osaka.’ It is another one of those mash-up, merging remixes that combine more than one source. Three tracks in this case, and quick first impressions of those tell me that 魚 has created an entirely unique piece of music that seems to take inspiration, but not much actual material from the originals. Imagine crabs talking (yes, really), a coffee machine running, and Japanese vocoder lyrics meeting with a humming, droning synthscape and some reduced, serene chords. Possibly not everyone’s cup of matcha or sencha, but a stunning and compelling work of art for sure!
The original track is an upbeat dance track that draws us in with its surprising and sometimes unusual chord progressions. The remix takes those, performs them with string samples, strips away the beat and sends the strings through various effect processor worlds — but what sounds simple, mechanical even, when you put it like this, in actuality brings forth an emotional depth that keeps you on you toes. Think Samuel Barber being played on board the Deep Space 9. Take a look outside the window and marvel in awe at the vast infinity around you.
‘We’re born from the Bonk. We live in the Bonk. And when we die, we will return to the Bonk. In the end, we’re all just Bonk dust.’ Proclaims a neutral yet sonorous male voice over a sinister synth drone, accompanied by a female choir singing Japanese words of a meaning unbeknownst to me. Five tracks by four different artists are the sources for this mash-up/remix/recombination that evokes images of processions, dark corners in horror films, flashing screens of TV announcements and interviews. Do we really want to go down that path? Well, do we have a choice? ‘We’re born. We live. We die.’
To complete this — well, is it an actual review? Or rather, a stream of consciousness? — anyway, to complete it, let me add links to the Fediverse profiles of all the artists involved, in order of appearance:
@CCirco
@socool
@sknob
@yonder
@rybson
@n3wjack
@ordosmarkzero
@defaultmediatransmitter
@Traiken
@SecretDeal
@axwax
In case you missed last week's launch party for Not Bonk What I Call Wave: Remixes Vol 2, check out this short snippet featuring my two remixes and the live visuals from the night:
https://v.basspistol.org/w/njehmVvLcBjjjw6uJenNGQ
If you like what you heard you can stream/download both tracks plus 11 more fabulous remixes at
https://bonkwave.org/music/not-bonk-what-i-call-wave-remixes-vol2/
https://bonkknobrecords.bandcamp.com/album/not-bonk-what-i-call-wave-remixes-vol-2
Might have finished my #BonkWave #NotBonkWave submission, but will give it another listen in a few days and on various headphones and speakers.
For anyone else interested in submitting a track to the next 'Spring' BonkWave compilation, there's more info here (deadline is 14th May):
I listened to the new Not Bonk What I Call Wave: Remixes Vol 2 and I highly recommend it!
https://bonkwave.org/music/not-bonk-what-i-call-wave-remixes-vol2/
I want to give my bonkiest congratulations to everyone who made the music, and to everyone who made this release happen! The bonkwave community is the best!
@desolationpark made the very the cool remixed cover, @ordosmarkzero was mastering
And
@n3wjack and @keefmarshall organized the bonk cats so they all aligned!
Pieces from my contributions from the previous bonk release were used by 3 artists here! I am so happy my stems could help to be an inspiration for the creation of such cool tracks!
I am really amazed at the genre shift in the "You're diamonds" remix by @defaultmediatransmitter . The track gives dark fantasy/science fiction vibes now, when it was more action adventure before, and I think it fits so well!
The Bonkwave Bouillabaisse mashup by @ordosmarkzero has such a chill ambiance, and it is so smooth. Everything fits so well together and there are stems from 10 different songs there, it is so impressive!
@n3wjack made the Bonkitty sound like it ate even more catnip, and I am so here for it!
Tldr: go listen to the release if you are a #bonkwave or #notBonkwave connoisseur!
Last week the latest remix album from Bonk Knob Records was released with some amazing remixes of amazing music: https://bonkwave.org/music/not-bonk-what-i-call-wave-remixes-vol2/ (free to download)
I wasn't directly involved musically, but I did a graphical remix of @Traiken 's album covers. With the text, I tried to convey the spirit from the first remix album where it's ambiguous how the title is actually read.
Also, parts of my track "Strange Data" was used in remixes by @ordosmarkzero and @rybson
For the upcoming #BonkWave #NotBonkWave spring-themed compilation, I can’t decide if I want to:
• Submit an unreleased spring-themed track,
• Start a new track,
• Combine some of my unreleased tracks,
• Recontextualise a non-spring-themed track to make it spring-themed,
• Submit one track to all four season-themed Bonk Wave compilations,
• Wait for later season submissions to open (I’ve got a bunch of autumn and winter-themed tracks)
• Not submit anything
Damn perfectionism and indecisiveness!
C. Circo - Genus (Socool Remix)
You can probably tell just by listening to it how much fun I had remixing Genus by @CCirco.
Check it out on this fresh compilation album featuring amazing remixes of music that may or may not be #BonkWave.
Not Bonk What I Call Wave: Remixes Vol 2:
https://bonkknobrecords.bandcamp.com/album/not-bonk-what-i-call-wave-remixes-vol-2
https://mirlo.space/bonk-knob-records/release/not-bonk
https://bonkwave.org/music/not-bonk-what-i-call-wave-remixes-vol2/
https://bandwagon.fm/67fea099a706ef72dcec3978
To #BonkWave or to #NotBonkWave — that is the question.
– William Bonksphere
Started pulling together my #BonkWave #NotBonkWave track this morning for the mid-May deadline.
When I put together my other Bonkwave track I wondered whether I was Bonk enough or Wave enough, and you know what I'm still not sure. And it didn't matter anyway, because I could have been not Wave or not Bonk enough and that would have been fine too.
So if you're considering whether submitting a track to this compilation is for you or not, it probably is.
Submission info here: