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#queerhistory

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"Portrait of Dr. Elisabeth Winterhalter," Ottilie W. Roederstein, 1887-88.

Born in Zurich, Roederstein (1859-1937) became interested in art at an early age, which horrified her conventional parents, but they eventually allowed her to study with a local artist. It became obvious she was hugely talented, & her married sister, who lived in Berlin, took her in so she could continue her studies. By 1882 she had her first exhibition, & in 1887 was totally self-supporting as an artist. She continued to exhibit & traveled widely until 1931, when she retired.

The subject of this charming portrait is Dr. Elisabeth Winterhalter (1856-1952), Germany's first woman doctor, & also Roederstein's partner. She also defied her family by going to study medicine in Zurich, where she and Roederstein met & fell in love. Elisabeth returned to Germany where she practiced obstetrics & gynecology, but didn't receive a full medical license until 1902, when German law was changed to allow women doctors.

The Third Reich largely ignored them; by then both were retired & living quietly. Elisabeth was honored by West German president Heuss for her contributions to the medical field shortly before her death at 95. She & Ottilie are buried together.

From the Städel Museum, Frankfurt.

Continued thread

Karen is lifting up the mentions of food/baking, community organizing and adding that in a bunch of queer tango local WhatsApp groups there’s birthday wishes, food talk, and “the protest is at 1 o clock.”

She also highlighted the queer tango Discord server.

Continued thread

Ray, about the word queer: “I love that that sour milk has become the most beautiful embrace in our beautiful dance.”

He says, “you don’t need queer tango” is the same as “why don’t we have straight pride?”

“Name 68 countries where it’s illegal to be straight.”

Continued thread

Mikael expresses the same feeling I have about dancing in a queer space: embracing someone of the same gender when you’re both queer…that’s its own feeling. It’s not the same feeling same-gender dancing with a bunch of straight people.

Emily says she asks straight people to pay more. Karen called it the Straight Tax.

Continued thread

Karen once heard someone answer “if we’re all equal, why do you need straight tango? Why aren’t you all coming to our events?”

Karen sums it up as “if you try hard enough to assimilate and are capable of passing, you can come to our event.” But in our events we have our own culture.

Continued thread

Ray asks how exactly she responds.

She says: I see it a different way. We have our own particular needs. It’s not just the women’s tango classes. And it’s about owning our own events, owning our own community, not about having us dissolve into the rest of the tango community.

She uses the term “queer washing”.

Continued thread

A professor says “there are open role spaces—“ and Ray says “that’s not the same thing, though. There’s overlap, but—“

She says she agrees, and that’s why her class continues to use the word “queer”.

Astrid says the “gay friendly” organizers who say this have been a sort of taboo subject for a while. They mean well but don’t understand our needs.

Continued thread

Ray wants to return to the topic mentioned yesterday: how to respond to straight organizers who say “well, you’re welcome here, so you don’t need queer tango spaces and are actually the ones being discriminatory by making your own spaces.”

Continued thread

Salem suggests symbiotic relationships with local bars to handle the economic pressures. She says we should be more rooted in our local communities and bring more people into the dance.

She also talked about experiencing ableism here as a cane user.

Continued thread

Andrés says we should work on creating space for conversation in the smaller scale of our local queer tango communities, not just at these big events.

He says tango is not just a dance: it’s a social event. (He has complaints about how at at many mainstream tango events, there are people who only dance and don’t socialize.)

Continued thread

Ray notes that these discussions at queer tango events are important for moving forward our thinking and motivation. That’s why we *don’t* only have the evening dance party.

(We do indeed talk a lot in queer tango events. Here last year was my first one. New York’s marathon had several group discussions too.)

Continued thread

Ray says that bringing international artists to teach and perform here *is* actually politically important. It’s not just opportunities for the artist. It’s ensuring people in the US meet immigrants and other international folks and learn about their cultures and countries. It’s an anti-xenophobia practice.

Continued thread

Ray asks what responsibility queer tango organizers and the wider queer tango community have to help support smaller communities. Alex says that Mexican queer tango is partially funded by Abrazo Queer Tango in California.

Barbara asks if sending visitors to those smaller communities would also be a welcome support if people can’t come here.